G322 - SECTION B: Institutions & Audiences (useful links)

Democratisation of Information

Exam Unit G322 - June 2010 "Primeval"

Answer the question below, with detailed reference to specific examples from the extract only.

1 Discuss the ways in which the extract constructs the representation of gender using the following: 

 • Camera shots, angles, movement and composition 

 • Editing 

 • Sound 

 • Mise en scène 




Exam Board Reports for Section A & B 

Exam Unit G322 - January 2010 "Hotel Babylon"

Click on the exam paper below, read the instructions carefully and complete the essay in 45 minutes to test yourself.

Click on the images below to read the exam mark scheme 

Exam Unit G322 - June 2009 "Dr Who"

Click on the exam paper below, read the instructions carefully and complete the essay in 45 minutes to test yourself

Click on the image below to read the exam mark scheme

Student Exemplar response

Exam Unit G322 - January 2009 "Monarch of the Glen"

Click on the exam paper below, read the instructions carefully and complete the essay in 45 minutes to test yourself.

Click on the images below to read the mark scheme.

NEW: MUSIC WEEK - USEFUL ARTICLES

In preparation for your re-sit you should include some more up-to-date information for the case study of the music industry.

This does NOT mean completely redoing your study, rather you should add to the information you already have regarding the Syco/Sony music case study.

I have included some new links to more recent articles. Some of the articles cover the use of new media how people are illegally down-loading music and the mean by which they do this and the impact on music sales. This gives scope for you to discuss how the music industry is having to accept that they can't control the file-sharing activities of the audience but need to offer incentives to change the behaviour of the consumer.

Remember you are completing a case study based around a company such as Syco/Sony but then you should also be able to call on information which demonstrates you understand the context in which a modern music company is having to survive i.e. the success of rival companies and how consumers use new media technology to consume music, mobil phones, apps, streaming etc.

Look at the articles below for some fresh information.

http://www.musicweek.com/story.asp?storycode=1043693

http://www.musicweek.com/story.asp?storycode=1043691

http://www.musicweek.com/story.asp?storycode=1043681

http://www.musicweek.com/story.asp?storycode=1043669

http://www.musicweek.com/story.asp?storycode=1043656

http://www.musicweek.com/story.asp?storycode=1043658

http://www.musicweek.com/story.asp?storycode=1043650

http://www.musicweek.com/story.asp?storycode=1043647

http://www.musicweek.com/story.asp?storycode=1043644

http://www.musicweek.com/story.asp?storycode=1043645

http://www.musicweek.com/story.asp?storycode=1043630

http://www.musicweek.com/story.asp?storycode=1043628

http://www.musicweek.com/story.asp?storycode=1043629

http://www.musicweek.com/story.asp?storycode=1043604

http://www.musicweek.com/story.asp?storycode=1043618

http://www.musicweek.com/story.asp?storycode=1043596

http://www.musicweek.com/story.asp?storycode=1043590

http://www.musicweek.com/story.asp?storycode=1043569

http://www.musicweek.com/story.asp?storycode=1043575

http://www.musicweek.com/story.asp?storycode=1043565

http://www.musicweek.com/story.asp?storycode=1043545

http://www.musicweek.com/story.asp?storycode=1043551

http://www.musicweek.com/story.asp?storycode=1043531

http://www.musicweek.com/story.asp?storycode=1043341

http://www.musicweek.com/story.asp?storycode=1043328

http://www.musicweek.com/story.asp?storycode=1043316

http://www.musicweek.com/story.asp?storycode=1043314

http://www.musicweek.com/story.asp?storycode=1043316

http://www.musicweek.com/story.asp?storycode=1043311

http://www.musicweek.com/story.asp?storycode=1043271

http://www.musicweek.com/story.asp?storycode=1043274

http://www.musicweek.com/story.asp?storycode=1043269

http://www.musicweek.com/story.asp?storycode=1043238

http://www.musicweek.com/story.asp?storycode=1043227

http://www.musicweek.com/story.asp?storycode=1043227

http://www.musicweek.com/story.asp?storycode=1043211

http://www.musicweek.com/story.asp?storycode=1043213

http://www.musicweek.com/story.asp?storycode=1043218

http://www.musicweek.com/story.asp?storycode=1043184

http://www.musicweek.com/story.asp?storycode=1043172

http://www.musicweek.com/story.asp?storycode=1043171

http://www.musicweek.com/story.asp?storycode=1043164

http://www.musicweek.com/story.asp?storycode=1043154

http://www.musicweek.com/story.asp?storycode=1043146

http://www.musicweek.com/story.asp?storycode=1043142

http://www.musicweek.com/story.asp?storycode=1043121

http://www.musicweek.com/story.asp?storycode=1043103

http://www.musicweek.com/story.asp?storycode=1043064

http://www.musicweek.com/story.asp?storycode=1043061

http://www.musicweek.com/story.asp?storycode=1043058

http://www.musicweek.com/story.asp?storycode=1043004 

http://www.musicweek.com/story.asp?storycode=1043005

http://www.musicweek.com/story.asp?storycode=1043004

http://www.musicweek.com/story.asp?storycode=1042984

http://www.musicweek.com/story.asp?storycode=1042965

http://www.musicweek.com/story.asp?storycode=1042955

http://www.musicweek.com/story.asp?storycode=1042937

http://www.musicweek.com/story.asp?storycode=1042914

http://www.musicweek.com/story.asp?storycode=1042911

http://www.musicweek.com/story.asp?storycode=1042904

http://www.musicweek.com/story.asp?storycode=1042909

http://www.musicweek.com/story.asp?storycode=1042903

http://www.musicweek.com/story.asp?storycode=1042869

http://www.musicweek.com/story.asp?storycode=1042828

http://www.musicweek.com/story.asp?storycode=1042829

http://www.musicweek.com/story.asp?storycode=1042808

http://www.musicweek.com/story.asp?storycode=1042813

http://www.musicweek.com/story.asp?storycode=1042798

http://www.musicweek.com/story.asp?storycode=1042783

http://www.musicweek.com/story.asp?storycode=1042696

http://www.musicweek.com/story.asp?storycode=1042679

http://www.musicweek.com/story.asp?storycode=1042622

http://www.musicweek.com/story.asp?storycode=1042617

http://www.musicweek.com/story.asp?storycode=1042596

http://www.musicweek.com/story.asp?storycode=1042577

http://www.musicweek.com/story.asp?storycode=1042538

http://www.musicweek.com/story.asp?storycode=1042467